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Alibi (play)

play written by Michael Morton

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 18, 2026
Entity authorityQ4725664
Source-derived summary

Alibi is a 1928 play by Michael Morton based on The Murder of Roger Ackroyd, a 1926 novel by British crime writer Agatha Christie.

It opened at the Prince of Wales Theatre in London's West End on 15 May 1928, starring Charles Laughton as Hercule Poirot. It was deemed a success and ran for 250 performances closing on 7 December 1928. It was the first work of Agatha Christie's to be presented on stage and the first adaptation of one of her works for any medium outside of her books. Retitled The Fatal Alibi, the play was first presented on Broadway in February 1932; the production was directed by Laughton, who reprised the role of Poirot.

Background

Christie disagreed with the change of her favourite character Caroline Sheppard, the inspiration for Miss Marple, into a beautiful girl called Caryl Sheppard. She only permitted this change because the alternative was turning Poirot into a young man called Beau Poirot and having "lots of girls in love with him".

Synopsis

The residents of Fernley Park, the home of Sir Roger Ackroyd, discuss the suicide of a local woman, Mrs. Ashley Ferrars, during the previous night. Ms.

Editorial summary

“Alibi (play)” enters the record as play written by Michael Morton. Crown Archives preserves that source wording while asking what Alibi, play and written can confirm, complicate or overturn.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1928, 1926, 1932—that can be checked directly. The selected authority fields contribute no independent date. Its strongest next move is a source search built around Alibi, play and written.
Editorial analysis

Why this record matters

“Alibi (play)” is worth following because a concise public description often conceals a longer documentary argument. Here, Alibi, play and written provides the most credible route into that argument.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Jun 18, 2026. The linked authority identifier is Q4725664. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1928, 1926 and 1932.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Alibi (play)”, its source revision and the description used here.
  2. Expand the search: follow Alibi (play) primary sources, Alibi (play) archive and Alibi research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Alibi (play)”?
  2. Where is authorship, date or provenance documented?
  3. How did later circulation or interpretation alter the work’s reception?
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Source & attribution

This entry incorporates text from Alibi (play)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.