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Alfred Rodrigues

South African ballet dancer and choreographer

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionFeb 13, 2025
Entity authorityQ21597978
Source-derived summary

Alfred Rodrigues (18 August 1922 – 12 January 2002) was a South African ballet dancer and choreographer. His works have been produced by ballet and opera companies in many countries of the world.

Early life and training

Born in Cape Town, a cosmopolitan city near the southern tip of South Africa, Alfred Rodrigues made his first appearance on stage as a child. In 1936, when he was 14, he saw a performance by Colonel de Basil's Ballet Russe when the company toured South Africa, and his interest in ballet was kindled. He joined the Cape Town Ballet Club in 1937 after he saw an advertisement placed in a newspaper by Dulcie Howes, asking for male dancers. Subsequently, as a student in the ballet classes of the celebrated teacher Cecily Robinson, he failed to show any particular talent as a dancer, but in workshops he did demonstrate a certain flair for choreography. He made his first ballet in 1938, a short piece for students in the Ballet Club set to a piano transcription of "Danse Macabre," a tone poem (op. 40) by Camille Saint-Saëns with spooky melodies, driving rhythms, and dramatic structure. Encouraged by Howes, he soon made two other works for the club, Le Roi s'Amuse (1940) and L'Île des Sirènes (1941).

Professional career

Rodrigues's promising career as a choreographer was interrupted by the outbreak of World War II. He joined the South African army and saw combat in Egypt and Syria before being demobilized at the end of the war.

Editorial summary

The public source identifies “Alfred Rodrigues” as south African ballet dancer and choreographer. This brief keeps that definition visible, then builds a research path around Alfred, Rodrigues and South.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1922, 2002, 1936, 1937—that can be checked directly. The linked authority record independently contributes the date 1922-08-18. Its value is orientation rather than verdict, with Alfred, Rodrigues and South providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Alfred Rodrigues”, the useful work is to connect “south African ballet dancer and choreographer” to the records capable of establishing context and consequence.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Feb 13, 2025. The linked authority identifier is Q21597978. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1922, 2002, 1936 and 1937.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Alfred Rodrigues”, its source revision and the description used here.
  2. Expand the search: follow Alfred Rodrigues primary sources, Alfred Rodrigues archive and Alfred research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Alfred Rodrigues”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from Alfred Rodrigues” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.