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Aldo Gentilini

Italian artist (1912-1982)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 18, 2026
Entity authorityQ93835862 ↗
Source-derived summary

Aldo Gentilini (7 February 1911 – 10 August 1982) was an Italian painter and sculptor. He was also the founder of the Christian Ranist movement.

Biography

He followed the philosophy courses and for three years he lived in seclusion in a monastery in Pietrasanta under the advice of Don Orione. He was a great admirer of San Francesco D’Assisi and therefore he could not adapt to the conventional commercial system; his innumerable works were thus sold by him for little money. He was an artist practicing asceticism, to imitate the saint to whom he was devoted. The two natures, the human and the aesthetic, perfectly coincide in his tormented figure.

From Genoa to Courmayeur

Gentilini was born in Genoa on 7 February 1911, but Courmayeur, precisely in Portoud in Val Vení, where his family owned a hotel, was his adopted homeland, where he spent his youth. Of the period of Courmayeur are the "Totems", as the artist named his wooden creations, which recall something primitive and raw, rich in images and signs that show an instinctive force, an explosion of sensations still messy and confused.

The retreat in Volpeglino

In the early 1960s, Gentilini retired to Volpeglino, where he remained until his death on August 10, 1982, and, today, following a donation, the house-studio, in which he painted walls, doors, windows and furniture with furniture and objects built by assembling the most varied materials, belongs to the Municipality and could be transformed into a museum center dedicated to the artist's works.

His painting

His painting captures the moments, nuances of the soul, sensations that remain in a sign, in a hatch that vaguely recalls Miró with the decomposition of Picasso, Braque and Léger.

Editorial summary

Begin with the source’s own compact description: “Aldo Gentilini” is italian artist (1912-1982). The dossier treats that line as a proposition to test through Aldo, Gentilini and Italian, not as a finished interpretation.

Editorial reviewStrongest as a route into the people, institutions and dated events that shaped the subject’s public record. The current lead gives the account dated anchors—1911, 1982—that can be checked directly. The linked authority record independently contributes the date 1912. For this dossier, Aldo, Gentilini and Italian is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “italian artist (1912-1982)” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Jun 18, 2026. The linked authority identifier is Q93835862. VIAF identifies the subject as 18144095. 1 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1911 and 1982.

Critical limits

Later biographies can compress uncertainty and repeat inherited reputations, so apparently settled claims may still require comparison. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Aldo Gentilini”, its source revision and the description used here.
  2. Expand the search: follow Aldo Gentilini primary sources, Aldo Gentilini archive and Aldo research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Aldo Gentilini”?
  2. Which primary records establish identity, chronology and institutional ties?
  3. How has the subject’s reputation changed across later accounts?
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Source & attribution

This entry incorporates text from “Aldo Gentilini” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.