CACrown ArchivesThe cinema collection
Menu
Research dossier · People & Ideas

Alardo de Popma

Spanish artist (1617-1641)

Correspondence, annotated notebooks and portrait silhouettes prepared for research
People and ideasInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 19, 2026
Entity authorityQ4708365
Source-derived summary

Alardo de Popma (before 1617–1641) was a Flemish engraver, who worked in Madrid in the early seventeenth century, according to the earliest references to his works. His copperplate engravings include title-pages, frontispieces and portraits, which are characterized by an exceptionally clean and confident line.

His is known to have lived in Seville for a time, perhaps in order to undertake a commission there.

Works

In 1616 he produced the engravings for the Cronicón de la excelentísima casa de los Ponce de León, published in 1620. He executed the title-page for the Comentario sobre las palabras de Nuestra Señora, que se hallan en el Evangelio by Fr. Pedro de Abreu in 1617. In 1621 he worked with Jan de Courbes to produce a work commissioned by the Order of Merced that included fifteen copper plates. In 1624, he engraved the title-page of Pedro Fernández de Navarrete's Conservación de las Monarquías y Discursos políticos (Madrid, 1626) and later the title-page for the Historia de las Ordenes Militares de Santiago, Calatrava y Alcantara (Madrid, 1629), by Francisco Caro de Torres, as well as the frontispiece for the Obras de San Juan de la Cruz (1630), commissioned by the widow of Pedro Madrigal. Other works include his contributions to El glorioso doctor San Ildefonso by Salazar de Mendoza (Toledo, c. 1618) and to El embajador by Juan de Vera y Zúñiga (1620).

Editorial summary

Begin with the source’s own compact description: “Alardo de Popma” is spanish artist (1617-1641). The dossier treats that line as a proposition to test through Alardo, Popma and Spanish, not as a finished interpretation.

Editorial reviewA useful biographical orientation record, particularly for establishing names, roles and a first chronology. The current lead gives the account dated anchors—1617, 1641, 1616, 1620—that can be checked directly. The linked authority record independently contributes the date 1617-01-01. For this dossier, Alardo, Popma and Spanish is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “spanish artist (1617-1641)” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Biographical claims are most persuasive when dates, appointments and relationships can be traced to records created close to the events described. The source revision retrieved here is dated Mar 19, 2026. The linked authority identifier is Q4708365. VIAF identifies the subject as 86937129. 1 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1617, 1641, 1616 and 1620.

Critical limits

Public reputation and documentary evidence do not always develop together; absence from a summary is not evidence of historical absence. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Read biographical claims against dates, named institutions and the cited references. Distinguish a subject’s later reputation from evidence produced during their lifetime.

Best used for
  • Establishing names and roles
  • Building a first chronology
  • Locating cited institutions
Verify next

Personal papers, civil or court records, institutional files and the scholarship cited by the source.

Three-step research path

  1. Establish the record: confirm the title “Alardo de Popma”, its source revision and the description used here.
  2. Expand the search: follow Alardo de Popma primary sources, Alardo de Popma archive and Alardo research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Alardo de Popma”?
  2. Which primary records establish identity, chronology and institutional ties?
  3. How has the subject’s reputation changed across later accounts?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from Alardo de Popma” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.