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AfterLife (film)

2003 film by Alison Peebles

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionApr 12, 2026
Entity authorityQ2826295 ↗
Source-derived summary

AfterLife is a 2003 drama film set in Scotland directed by Alison Peebles and written by Andrea Gibb. It stars Lindsay Duncan, Kevin McKidd, Paula Sage, and James Laurenson. Afterlife won the Audience Award at The Edinburgh Film Festival 2003. Sage's role won her a BAFTA Scotland award for best first time performance and Best Actress in the Bratislava International Film Festival, 2004.

Plot

An ambitious Scottish journalist is forced to choose between his high-flying career or caring for his younger sister who has Down's syndrome.

Editorial summary

Begin with the source’s own compact description: “AfterLife (film)” is 2003 film by Alison Peebles. The dossier treats that line as a proposition to test through AfterLife, film and Alison, not as a finished interpretation.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—2003, 2004—that can be checked directly. The linked authority record independently contributes the date 2003-01-01. For this dossier, AfterLife, film and Alison is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “2003 film by Alison Peebles” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Apr 12, 2026. The linked authority identifier is Q2826295. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2003 and 2004.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “AfterLife (film)”, its source revision and the description used here.
  2. Expand the search: follow AfterLife (film) primary sources, AfterLife (film) archive and AfterLife research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “AfterLife (film)”?
  2. Where is authorship, date or provenance documented?
  3. Which edition, object, performance or recording is being described?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “AfterLife (film)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.