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Afro-Surrealism

term for defining a school of art and literature that evolved from Afro-futurism and surrealism, introduced by Amiri Baraka in 1974 and specified in D. Scot Miller's "Afro-Surrealist Manifesto" in 2009

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 12, 2026
Entity authorityQ25039455 ↗
Source-derived summary

Afro-Surrealism (also Afro-surrealism, AfroSurrealism) is a genre or school of art and literature. In 1974, Amiri Baraka used the term to describe the work of Henry Dumas. D. Scot Miller in 2009 wrote "The Afro-surreal Manifesto" in which he says: "Afro-Surrealism sees that all 'others' who create from their actual, lived experience are surrealist ...." The manifesto delineates Afro-Surrealism from Surrealism and Afro-Futurism. The manifesto lists ten tenets that Afro-Surrealism follows including how "Afro-Surrealists restore the cult of the past", and how "Afro-Surreal presupposes that beyond this visible world, there is an invisible world striving to manifest, and it is our job to uncover it".

Afro-Surrealism, is practiced and embodied in music, photography, film, the visual arts, poetry and fiction. Notable practitioners and inspirations of Afro-Surrealism include Ted Joans, Bob Kaufman, Krista Franklin, Aimé Césaire, Suzanne Césaire, Léopold Sédar Senghor, René Ménil, Kool Keith, Terence Nance, Will Alexander, Kara Walker, Samuel R. Delany, Donald Glover and Romare Bearden.

Influence

D. Scot Miller penned "The Afro-surreal Manifesto" for The San Francisco Bay Guardian in May, 2009. Until that time, the term "Afro-surreal Expressionism" was used solely by Amiri Baraka to describe the writings of Henry Dumas. Later that year, Miller spoke with Baraka about extending the term by shortening the description. It was agreed by the two of them that "Afro-surreal" without the "expressionism" would allow further exploration of the term.

Editorial summary

The public source identifies “Afro-Surrealism” as term for defining a school of art and literature that evolved from Afro-futurism and surrealism, introduced by Amiri Baraka in 1974 and specified in D. Scot Miller's "Afro-Surrealist Manifesto" in 2009. This brief keeps that definition visible, then builds a research path around Afro-Surrealism, term and defining.

Editorial reviewA strong contextual entry point for chronology, institutions and public events when official records are distinguished from later interpretation. The current lead gives the account dated anchors—1974, 2009—that can be checked directly. The selected authority fields contribute no independent date. Its value is orientation rather than verdict, with Afro-Surrealism, term and defining providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Afro-Surrealism”, the useful work is to connect “term for defining a school of art and literature that evolved from Afro-futurism and surrealism, introduced by Amiri Baraka in 1974 and specified in D. Scot Miller's "Afro-Surrealist Manifesto" in 2009” to the records capable of establishing context and consequence.

Evidence profile

Contemporary correspondence, administrative files and participant testimony can test how later narratives organized the event or institution. The source revision retrieved here is dated Sep 12, 2026. The linked authority identifier is Q25039455. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1974 and 2009.

Critical limits

Institutional narratives can privilege the records that survived while minimizing voices that were never formally collected. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Compare institutional narratives with records created by participants and affected communities. Dates and formal titles are useful anchors, but not substitutes for context.

Best used for
  • Event chronology
  • Institutional context
  • Locating named record creators
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Contemporary correspondence, government or organizational records, oral histories and cited historical scholarship.

Three-step research path

  1. Establish the record: confirm the title “Afro-Surrealism”, its source revision and the description used here.
  2. Expand the search: follow Afro-Surrealism primary sources, Afro-Surrealism archive and Afro-Surrealism research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Afro-Surrealism”?
  2. What chronology connects this entry to wider political or social change?
  3. Which voices are present, absent or mediated by the institution?
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Source & attribution

This entry incorporates text from “Afro-Surrealism” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.