Adrien Manglard
French painter and engraver (1695-1760)

Adrien Manglard (French pronunciation: [adʁijɛ̃ mɑ̃ɡlaʁ]; 10 March 1695 – 1 August 1760) was a French painter, draughtsman, and engraver. He was a skilled marine painter, who was able to rapidly advance his career in Rome thanks to his compositional skills, selling paintings to clients such as the Rospigliosi family, Victor Amadeus II, King of Sardinia, and Philip, the Duke of Parma. The latter alone commissioned more than 140 paintings from Manglard.
The son of a modest painter, Manglard was trained in Lyon by his godson Adriaen van der Cabel, a Dutch Golden Age landscapist. In 1734 Manglard was admitted to the Académie Royale de Peinture et de Sculpture, which he entered as a full member in 1736. In his youth he traveled to Rome, where he spent most of his life. He is said to have trained under Bernardino Fergioni (1674–1738) in Italy. Manglard also came into contact with artists in the circle of sculptor Pierre Le Gros the Younger (1666–1719), who commissioned two paintings from him before 1719.
Manglard's best known pupil is arguably Claude-Joseph Vernet, who, upon his arrival in Rome, was welcomed by Manglard into his studio and initiated into seascape painting by him and Fergioni.
Once concentrated in Rome, his work is today spread across private and institutional collections around the world.
“Adrien Manglard” enters the record as french painter and engraver (1695-1760). Crown Archives preserves that source wording while asking what Adrien, Manglard and French can confirm, complicate or overturn.
Why this record matters
“Adrien Manglard” is worth following because a concise public description often conceals a longer documentary argument. Here, Adrien, Manglard and French provides the most credible route into that argument.
Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Aug 18, 2026. The linked authority identifier is Q2411299. VIAF identifies the subject as 42111056. The Library of Congress control number is n83150880. 3 of 4 selected statements include explicit references; 0 carry qualifiers and 1 use preferred rank. The first chronological checks are 1695, 1760, 1734 and 1736.
A concise general-reference account can conceal disagreements about scope, terminology or the weight assigned to individual sources. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.
- Subject orientation
- Search vocabulary
- Locating named sources
The closest primary source, responsible institution and strongest cited specialist reference.
Three-step research path
- Establish the record: confirm the title “Adrien Manglard”, its source revision and the description used here.
- Expand the search: follow Adrien Manglard primary sources, Adrien Manglard archive and Adrien research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “Adrien Manglard”?
- Which institution is responsible for the underlying evidence?
- What terminology or title could unlock a more precise catalogue search?
Search terms from this dossier
This entry incorporates text from “Adrien Manglard” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.