CACrown ArchivesThe cinema collection
Menu
Research dossier · Arts & Letters

Adam, Eve and the Devil

1945 Mexican comedy film directed by Alfredo B. Crevenna

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMar 3, 2026
Entity authorityQ130680920 ↗
Source-derived summary

Adam, Eve and the Devil (Spanish: Adán, Eva y el diablo) is a 1945 Mexican comedy film directed by Alfredo B. Crevenna and starring Roberto Soto, Gloria Aguiar and Emma Roldán. The film is based on the play The Broken Jug by Heinrich von Kleist. It was shot at the Azteca Studios in Mexico City. The film's sets were designed by the art director Ramón Rodríguez Granada who was nominated for an Ariel Award his work.

Cast

Roberto Soto

Gloria Aguiar

Emma Roldán

Lauro Benítez

Alfredo del Diestro

Roberto Meyer

Tito Renaldo

Enriqueta Reza

Carlos Riquelme

Rubén Rojo

Amelia Wilhelmy

References

Bibliography

Elena, Alberto. El cine del tercer mundo: diccionario de realizadores. Turfan, 1993.

Riera, Emilio García. Historia documental del cine mexicano: 1943-1945. Universidad de Guadalajara, 1992.

Editorial summary

The public source identifies “Adam, Eve and the Devil” as 1945 Mexican comedy film directed by Alfredo B. Crevenna. This brief keeps that definition visible, then builds a research path around Adam, Devil and Mexican.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1945, 1993, 1943, 1992—that can be checked directly. The linked authority record independently contributes the date 1945-08-10. Its value is orientation rather than verdict, with Adam, Devil and Mexican providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “Adam, Eve and the Devil”, the useful work is to connect “1945 Mexican comedy film directed by Alfredo B. Crevenna” to the records capable of establishing context and consequence.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Mar 3, 2026. The linked authority identifier is Q130680920. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1945, 1993, 1943 and 1992.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Adam, Eve and the Devil”, its source revision and the description used here.
  2. Expand the search: follow Adam, Eve and the Devil primary sources, Adam, Eve and the Devil archive and Adam research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Adam, Eve and the Devil”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “Adam, Eve and the Devil” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.