CACrown ArchivesThe cinema collection
Menu
Research dossier · General Reference

Ada Adini

American soprano

Cross-disciplinary reference desk with index cards, atlas, dictionary and catalogue
General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionApr 19, 2024
Entity authorityQ4678222
Source-derived summary

Ada Adini or Adiny (1 March 1856 – February 1924) was an American operatic soprano who had an active international career from 1876 up into the first decade of the 20th century. She possessed a large, expressive voice which enabled her to sing a broad range of roles that extended from the coloratura soprano repertoire to dramatic soprano parts. She made five recordings with Fonotipia Records in Paris in 1905.

Life and career

Born Adele Schillinger in Boston to Elizabeth Doane, née Chapman (Boston, 31 January 1839 – 22 October 1863, Florence), and Franklin Benjamin Schillinger, Adini studied singing with Giovanni Sbriglia and Pauline Viardot in Paris. She married the Spanish tenor Antonio Aramburo while studying in Paris. She made her professional opera debut in 1876 at the opera house in Varese, Italy, in the title role of Giacomo Meyerbeer's Dinorah. She was then active with James Henry Mapleson's company in New York City, making her debut with the company in 1879 as Gilda in Giuseppe Verdi's Rigoletto at the Academy of Music with Aramburo as the Duke of Mantua. She was later heard with the company as Leonora in Verdi's Il trovatore to her husband's Manrico.

In 1882 she joined Bartolomeo Merelli's traveling opera troupe with whom she performed in Berlin (1882) and Prague (1883). From 1887–1890 she was committed to the Palais Garnier where she notably created the role of the Duchesse d'Étampes in the world premiere of Camille Saint-Saëns' Ascanio (1890).

Editorial summary

This brief starts where responsible research should: with the source description of “Ada Adini” as american soprano. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA concise reference frame for defining the subject, testing terminology and identifying the institution closest to the evidence. The current lead gives the account dated anchors—1856, 1924, 1876, 1905—that can be checked directly. The authority record carries competing date values—1855-01-01, 1855-03-01—which should remain separate until their references and qualifiers are resolved. The account is most persuasive where Adini, American and soprano can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the general reference register because the source frames it as american soprano. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Apr 19, 2024. The linked authority identifier is Q4678222. VIAF identifies the subject as 56927777. The Library of Congress control number is nr2003038638. 4 of 4 selected statements include explicit references; 0 carry qualifiers and 1 use preferred rank. The first chronological checks are 1856, 1924, 1876 and 1905.

Critical limits

The absence of detail may reflect summary conventions rather than a lack of surviving documentation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

Best used for
  • Subject orientation
  • Search vocabulary
  • Locating named sources
Verify next

The closest primary source, responsible institution and strongest cited specialist reference.

Three-step research path

  1. Establish the record: confirm the title “Ada Adini”, its source revision and the description used here.
  2. Expand the search: follow Ada Adini primary sources, Ada Adini archive and Adini research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Ada Adini”?
  2. What terminology or title could unlock a more precise catalogue search?
  3. Which cited source is closest to the event, object or claim?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from Ada Adini” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.