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Abraham Littman

yiddish theater producer in Detroit

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 1, 2026
Entity authorityQ118612390
Source-derived summary

Abraham Littman (אברהם ליטמאן) (December 11, 1880 – August 10, 1962), born in Borisov (Barysaw), in the Russian Empire, was a Yiddish-language theatrical producer, director, and impresario active in the United States. He was best known as the owner and operator of Littman's People's Theater in Detroit, Michigan, which operated from 1927 to 1944 in the city's predominantly Jewish 12th Street neighborhood.

Early life

Born in Minsk Guberniya of the Russian Empire in 1880, Littman immigrated to the United States with his sister at the age of fifteen in 1895. He began working in textile industry sweatshops, but found himself attracted to the thriving Yiddish theatre scene on New York's Lower East Side. In 1905 he married Yetta Silberman.

Career

Touring companies and time in Canada

Littman began his Yiddish theater career as an actor but quickly found that his poor eyesight did not permit him to continue in that position. Until 1923, he served as a director and manager of various touring companies at theaters around the Great Lakes region, including Toronto's Yiddish-language National Theater as well as in Buffalo, Pittsburgh, and Rochester.

The Yiddish Playhouse

In 1924, Littman and his business partner Misha Fishzon purchased a small theater on Hastings Street in Detroit which had up until that point been called the Circle Theater. Though the theater had hosted touring companies operated by managers such as Leon Krim, no Yiddish-language theatrical troupe had yet made Detroit their permanent home. Littman and Fishzon renamed it to the Yiddish Playhouse and began theatrical productions for the 1924–25 season to great acclaim with a troupe recruited from the Hebrew Actors' Union.

Editorial summary

“Abraham Littman” enters the record as yiddish theater producer in Detroit. Crown Archives preserves that source wording while asking what Abraham, Littman and yiddish can confirm, complicate or overturn.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1880, 1962, 1927, 1944—that can be checked directly. The selected authority fields contribute no independent date. Its strongest next move is a source search built around Abraham, Littman and yiddish.
Editorial analysis

Why this record matters

“Abraham Littman” is worth following because a concise public description often conceals a longer documentary argument. Here, Abraham, Littman and yiddish provides the most credible route into that argument.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Sep 1, 2026. The linked authority identifier is Q118612390. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1880, 1962, 1927 and 1944.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

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Source & attribution

This entry incorporates text from Abraham Littman” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.