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Aaron I. Butler

American film and television editor and producer

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 18, 2026
Entity authorityQ56043602
Source-derived summary

Aaron I. Butler is an American film and television editor and producer.

Butler graduated from UC Berkeley and began his career working with two-time Academy Award-nominated director Bill Jersey at the Saul Zaentz Film Center in Berkeley. His first broadcast editor credit was Learning To Fly (1999) which won gold medals at the U.S. International Film Festival and the New York Festivals. He also edited on the documentary series The Rise and Fall of Jim Crow (2002). The series won a Peabody Award and the IDA Award for Best Limited Series and was nominated for three News and Documentary Emmys.

Butler moved to Los Angeles where he edited the Sundance Channel documentary series Pleasure for Sale (2008), followed by the final season HBO's Taxicab Confessions (2010). He then edited and produced the HBO documentary American Winter (2013) and was nominated for a News and Documentary Emmy and an ACE Eddie Award for it.

J. Butler then edited on the Showtime documentary series Time of Death (2013) which won Best Limited Series at the IDA Awards and the Showtime documentary L Word Mississippi: Hate the Sin (2014) which won Outstanding Documentary at the GLAAD Media Awards. He also edited the final episode of The Sixties (2014) which was nominated for Best Limited Series at the IDA Awards.

Butler began editing features starting with I Am Michael (2015) which was executive produced by Gus Van Sant and premiered at the Sundance Film Festival.

Editorial summary

This brief starts where responsible research should: with the source description of “Aaron I. Butler” as american film and television editor and producer. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1999, 2002, 2008, 2010—that can be checked directly. The selected authority fields contribute no independent date. The account is most persuasive where Aaron, Butler and American can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as american film and television editor and producer. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Aug 18, 2026. The linked authority identifier is Q56043602. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1999, 2002, 2008 and 2010.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

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Source & attribution

This entry incorporates text from Aaron I. Butler” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.