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A Song at Twilight

play written by Noël Coward

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionDec 5, 2024
Entity authorityQ4659680 ↗
Source-derived summary

A Song at Twilight is a play in two acts by Noël Coward. It is one of a trio of plays collectively titled Suite in Three Keys, all of which are set in the same suite in a luxury hotel in Switzerland. The play depicts an elderly writer confronted by his former mistress with facts about his past life that he would prefer to forget.

First produced in London in 1966, the play is one of Coward's last works for the stage.

Background and productions

The original idea for A Song at Twilight was inspired by Lord David Cecil's biography of Max Beerbohm, in which Cecil described Constance Collier's late-life visit to Beerbohm at his home in Italy. Coward said, "I thought how funny this was. There was Max's old flame coming to visit him, but so much more vital still than him that she totally exhausted him in seconds." Coward developed this by making his author a closeted homosexual, whose relations with women have been mainly for camouflage. Many people took the character to be based on Somerset Maugham, and Coward's stage make up was thought to underline the point by its "curious" resemblance to Maugham.

The play was first produced at the Queen's Theatre, London on 14 April 1966, directed by Vivian Matalon. Suite in Three Keys was planned by Coward as his theatrical swan song: "I would like to act once more before I fold my bedraggled wings." Coward's previous play, Waiting in the Wings (1960), had not been a critical success, but the climate of opinion had changed in the intervening six years, and Coward's works had undergone a period of rediscovery and re-evaluation, which Coward called "Dad's Renaissance".

Editorial summary

Begin with the source’s own compact description: “A Song at Twilight” is play written by Noël Coward. The dossier treats that line as a proposition to test through Song, Twilight and play, not as a finished interpretation.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1966, 1960—that can be checked directly. The linked authority record independently contributes the date 1966. For this dossier, Song, Twilight and play is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “play written by Noël Coward” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Dec 5, 2024. The linked authority identifier is Q4659680. None of the 1 selected statements returned an explicit reference. The first chronological checks are 1966 and 1960.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “A Song at Twilight”, its source revision and the description used here.
  2. Expand the search: follow A Song at Twilight primary sources, A Song at Twilight archive and Song research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “A Song at Twilight”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from “A Song at Twilight” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.