A Salute to American Music
1992 live album by James Conlon
A Salute to American Music is a 113-minute live album of music, both classical and popular, performed by Steven Blier, Renée Fleming, Paul Groves, Jerry Hadley, Karen Holvik, Marilyn Horne, Jeff Mattsey, Robert Merrill, Sherrill Milnes, Maureen O'Flynn, Phyllis Pancella, Leontyne Price, Samuel Ramey, Daniel Smith, Frederica von Stade, Tatiana Troyanos, Carol Vaness and Denise Woods with the Collegiate Chorale and members of the Metropolitan Opera Orchestra under the direction of James Conlon. The album was released in 1992.
Background
The album was recorded at the sixteenth annual gala of the Richard Tucker Music Foundation, a charity which supports American opera singers in their training and in beginning their careers. (The Foundation was set up in memory of Richard Tucker (1913-1975), an American operatic tenor, by his widow, children, friends and colleagues.) The gala was televised in the United States by PBS.
Recording
The album was digitally recorded at a live performance on 10 November 1991 in the Avery Fisher Hall, New York City.
Packaging
The cover of the album, designed under the art direction of J. J. Stelmach, features Flag (1954-1955) by Jasper Johns, a 42+1⁄4-by-60+5⁄8-inch (1,070 mm × 1,540 mm) encaustic painting made of oil and collage on fabric mounted on plywood. The painting is in the Museum of Modern Art, New York City, to which it was given by Philip Johnson in honour of Alfred H. Barr, Jr.
Critical reception
Peter Dickinson reviewed a disc of excerpts from the album in Gramophone in June 1993. The Richard Tucker Music Foundation's sixteenth gala was, he wrote, in the words of its conductor, "a look at an era just gone by". It was launched by one of its most senior contributors, Leontyne Price, with a Broadway-style arrangement of "America the Beautiful". (Oddly, the CD's insert booklet denied the hymnodist Samuel Augustus Ward his due credit as the song's composer.) Even "at the age of 63, she [could] still summon enough patriotic fervour to make non-Americans want to apply for citizenship papers on the spot".
This brief starts where responsible research should: with the source description of “A Salute to American Music” as 1992 live album by James Conlon. Everything that follows is an evidence route, not borrowed authority.
Why this record matters
The subject matters to the arts & letters register because the source frames it as 1992 live album by James Conlon. Its deeper value depends on whether names, dates, institutions and citations support that framing.
Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Jul 27, 2025. The linked authority identifier is Q85739297. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1992, 1913, 1975 and 1991.
Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
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This entry incorporates text from “A Salute to American Music” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.