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A Rose

painting by Thomas Anshutz

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 26, 2026
Entity authorityQ20169485
Source-derived summary

A Rose is an early 20th-century painting by American artist Thomas Anshutz. Done in oil on canvas, the work depicts a young woman, Rebecca H. Whelen, sitting in a chair wearing a rose-colored dress. The painting, in keeping with artistic themes of the early 20th-century, compares a woman and her attire to a rose flower, but also evokes the sense that the young woman is intellectually and emotionally alert. Whelen herself was the daughter of a trustee of the Pennsylvania Academy of the Fine Arts at which Anshutz was a long-time teacher.

Anshutz's work has been compared to that of his contemporary Thomas Eakins (specifically Eakins' 1900 portrait The Thinker) and to Diego Velázquez.

A Rose is in the collection of the Metropolitan Museum of Art.

Editorial summary

“A Rose” enters the record as painting by Thomas Anshutz. Crown Archives preserves that source wording while asking what Rose, painting and Thomas can confirm, complicate or overturn.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1900—that can be checked directly. The linked authority record independently contributes the date 1907-01-01. Its strongest next move is a source search built around Rose, painting and Thomas.
Editorial analysis

Why this record matters

“A Rose” is worth following because a concise public description often conceals a longer documentary argument. Here, Rose, painting and Thomas provides the most credible route into that argument.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Jun 26, 2026. The linked authority identifier is Q20169485. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1900.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “A Rose”, its source revision and the description used here.
  2. Expand the search: follow A Rose primary sources, A Rose archive and Rose research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “A Rose”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
Subject index

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Source & attribution

This entry incorporates text from A Rose” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.