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A Masculine Ending

novel by Joan Smith

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 15, 2026
Entity authorityQ4658137 ↗
Source-derived summary

A Masculine Ending is a novel by Joan Smith. It was first published in 1987 by British firm Faber and Faber.

1992 television adaptation

The story was adapted for television in 1992. The cast included:

Janet McTeer – Loretta Lawson

Imelda Staunton – Bridget Bennet

Paul Brooke – Humphrey Morris

Suzanna Hamilton – Veronica Puddephat

Joanna McCallum – Miriam Morris

Kevin McNally – Andrew Gardner

Bill Nighy – John Tracey

Clarke Peters – Theo Sykes

Greg Wise – Jamie Baird

Buki Armstrong - Bethany Edwards

Charlotte Cornwell – Insp. Parkinson

Matyelock Gibbs - Elizabeth Grant

Peter Lovstrom - Arthur Goodchild

Andrew Seear - Coroner

Richard Vernon – Miriam's father

Phillip Anthony - Mr Koogan

Yves Aubert as French porter

Nigel Bradshaw - Hugh Puddephat

Lucy Briers - Student

Lolita Chakrabarti - Sue

Sophia Diaz - Sylvie

Jennifer Gibson - Melanie Gandell

Toby Whithouse - Student

Harry Davenport, Kate McEnery, Simon Owen, and Matthew Owens - The Morris Children

Plot

Feminist academics Loretta Lawson and Bridget Bennett, investigate the discovery of a body that disappeared while Lawson attended a symposium in Paris.

Editorial summary

This brief starts where responsible research should: with the source description of “A Masculine Ending” as novel by Joan Smith. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1987, 1992—that can be checked directly. The linked authority record independently contributes the date 1987-04-27. The account is most persuasive where Masculine, Ending and novel can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as novel by Joan Smith. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Jun 15, 2026. The linked authority identifier is Q4658137. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1987 and 1992.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “A Masculine Ending”, its source revision and the description used here.
  2. Expand the search: follow A Masculine Ending primary sources, A Masculine Ending archive and Masculine research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “A Masculine Ending”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “A Masculine Ending” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.