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Antichrist (film)

2009 film directed by Lars von Trier

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 13, 2026
Entity authorityQ574998 ↗
Source-derived summary

Antichrist (stylized as ANTICHRIS♀) is a 2009 art horror film written and directed by Lars von Trier. It stars Willem Dafoe and Charlotte Gainsbourg as a married couple who experience the accidental death of their infant son, after which they retreat to a cabin in the woods to grieve, where the man experiences strange visions and the woman manifests increasingly violent sexual behavior and sadomasochism. The narrative is divided into a prologue, four chapters, and an epilogue.

Written in 2006 while Trier was hospitalized due to a significant episode of clinical depression, the film was largely influenced by his own struggles with depression and anxiety. Filming took place primarily in Germany during the late summer of 2008, and was a Danish production co-produced by companies from France, Germany, Poland, and Sweden.

After its premiere at the 2009 Cannes Film Festival, where Gainsbourg won Best Actress, Antichrist immediately received polarizing feedback; critics generally praised its artistic execution, but remained strongly divided regarding its substantive merit. Other awards won by the film include the Bodil Award for Best Danish Film, Robert Award for Best Danish Film, Nordic Council Film Prize for Best Nordic Film, and the European Film Award for Best Cinematography. The film is dedicated to Soviet filmmaker Andrei Tarkovsky.

Antichrist is the first film in Trier's unofficially titled Depression Trilogy. It was followed in 2011 by Melancholia and then by Nymphomaniac in 2014.

Editorial summary

This brief starts where responsible research should: with the source description of “Antichrist (film)” as 2009 film directed by Lars von Trier. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—2009, 2006, 2008, 2011—that can be checked directly. The authority record carries competing date values—2009-05-18, 2010-11-18, 2009-09-10—which should remain separate until their references and qualifiers are resolved. The account is most persuasive where Antichrist, film and directed can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as 2009 film directed by Lars von Trier. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated Sep 13, 2026. The linked authority identifier is Q574998. 4 of 4 selected statements include explicit references; 3 carry qualifiers and 0 use preferred rank. The first chronological checks are 2009, 2006, 2008 and 2011.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
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The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “Antichrist (film)”, its source revision and the description used here.
  2. Expand the search: follow Antichrist (film) primary sources, Antichrist (film) archive and Antichrist research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “Antichrist (film)”?
  2. How did later circulation or interpretation alter the work’s reception?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from “Antichrist (film)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.