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Théophile Steinlen

Swiss-French painter (1859-1923)

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 22, 2026
Entity authorityQ706041 ↗
Source-derived summary

Théophile Alexandre Steinlen (November 10, 1859 – December 13, 1923), was a Swiss-born French Art Nouveau painter and printmaker. He was politically engaged and collaborated with the anarchist and socialist press.

Biography

Born in Lausanne, Switzerland, Steinlen studied at the University of Lausanne before taking a job as a designer trainee at a textile mill in Mulhouse in eastern France. In his early twenties he was still developing his skills as a painter when he and his wife Emilie Mey were encouraged by the painter François Bocion to move to the artistic community in the Montmartre Quarter of Paris. Once there, Steinlen was befriended by the painter Adolphe Willette, who introduced him to the artistic crowd at Le Chat Noir that led to his commissions to do poster art for the cabaret owner and entertainer Aristide Bruant and for other commercial enterprises.

In the early 1890s, Steinlen's paintings of rural landscapes, flowers, and nudes were being shown at the Salon des Indépendants. His 1895 lithograph titled Les Chanteurs des Rues was the frontispiece to a work entitled Chansons de Montmartre published by Éditions Flammarion with sixteen original lithographs that illustrated the Belle Époque songs of Paul Delmet. Five of his posters were published in Les Maîtres de l'Affiche.

His permanent home, Montmartre and its environs, was a favourite subject throughout Steinlen's life and he often painted scenes of some of the harsher aspects of life in the area. His daughter, Colette, was featured in much of his work.

Editorial summary

This brief starts where responsible research should: with the source description of “Théophile Steinlen” as swiss-French painter (1859-1923). Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA concise reference frame for defining the subject, testing terminology and identifying the institution closest to the evidence. The current lead gives the account dated anchors—1859, 1923, 1895—that can be checked directly. The linked authority record independently contributes the date 1859-11-10. The account is most persuasive where Théophile, Steinlen and Swiss-French can be independently traced.
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Why this record matters

The subject matters to the general reference register because the source frames it as swiss-French painter (1859-1923). Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

The citation trail is more important than the brevity of the summary: it shows where individual claims can be examined in context. The source revision retrieved here is dated Jul 22, 2026. The linked authority identifier is Q706041. VIAF identifies the subject as 76323168. The Library of Congress control number is n50023495. 3 of 3 selected statements include explicit references; 1 carry qualifiers and 0 use preferred rank. The first chronological checks are 1859, 1923 and 1895.

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Source & attribution

This entry incorporates text from “Théophile Steinlen” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.