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50 to 1

2014 film by Jim Wilson

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 18, 2026
Entity authorityQ17508558
Source-derived summary

50 to 1 is a 2014 American drama film based on the true story of Mine That Bird, an undersized thoroughbred racehorse who won the 2009 Kentucky Derby in one of the biggest upsets in the history of the race. The film received a limited release on March 21, 2014. It was directed by Jim Wilson, who also co-wrote the script with Faith Conroy, and stars Skeet Ulrich, Christian Kane and William Devane. Jockey Calvin Borel, who rode Mine that Bird to his upset Derby win, plays himself in the film.

Plot

A misfit group of New Mexico cowboys find themselves on the journey of a lifetime when their undersized thoroughbred racehorse qualifies for the Kentucky Derby. Based on the inspiring true story of Mine That Bird, the cowboys face a series of mishaps on their way to Churchill Downs, becoming the ultimate underdogs in a final showdown with the world's racing elite. Mine That Bird pulls off a monumental upset (at 50-to-1 odds) by winning the 2009 Kentucky Derby.

Cast

Skeet Ulrich as Chip Woolley

Christian Kane as Mark Allen

William Devane as Leonard "Doc" Blach

Madelyn Deutch as Alex

Todd Lowe as Kelly

Calvin Borel as Himself

Reception

Gary Goldstein of the Los Angeles Times thought the film was slow-moving and the characters lacked interest, and the film "an idea better in theory than in practice". Michael O'Sullivan of The Washington Post said that as with real-life horse racing, "the exciting part lasts only a minute or two, and then it’s over. The rest of the movie is filler (or maybe foreplay)." Bill Edelstein of Variety commented that the film's attempt to appeal to a faith-based audience seemed "a rather calculated play near the finish".

Editorial summary

This brief starts where responsible research should: with the source description of “50 to 1” as 2014 film by Jim Wilson. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—2014, 2009—that can be checked directly. The linked authority record independently contributes the date 2014-03-21. The account is most persuasive where film and Wilson can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as 2014 film by Jim Wilson. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Jun 18, 2026. The linked authority identifier is Q17508558. 2 of 2 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2014 and 2009.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “50 to 1”, its source revision and the description used here.
  2. Expand the search: follow 50 to 1 primary sources, 50 to 1 archive and film research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “50 to 1”?
  2. Where is authorship, date or provenance documented?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from 50 to 1” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.