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The Illusionauts

2012 film

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 3, 2026
Entity authorityQ114267638
Source-derived summary

The Illusionauts (Spanish: Los ilusionautas; released in Spain as La patrulla increíble, lit. 'The Incredible Patrol'; also known in English as Freedom Force or Fantastic Force (stylized as either 4antastic Force or Fantastic 4orce) in the United Kingdom) is a 2012 Peruvian animated science fiction adventure comedy film directed by Eduardo Schuldt and written by Abraham Vurnbrand. It features the voices of Giovanni Ciccia, Connie Chaparro, and Bruno Ascenzo in its original version, and in the English dubbing are Sarah Michelle Gellar and Christopher Lloyd, among others. The film, announced in early 2010 as The Verne Project, was the first film released under Aronnax Animation Studios, a joint venture with Televix Entertainment. It premiered on January 26, 2012, in Peruvian theaters.

Synopsis

A group of children with special powers and their faithful dog are sent on a journey through time; their goal is to restore famous stories, while the crazy president and the Minister of Cultural Affairs try to alter them. They have to deal with a lot of difficulties to do their job well and not mix anything up.

Cast

Giovanni Ciccia as Albino

Connie Chaparro as First Lady of France

Bruno Ascenzo as Aristóteles

Sarah Michelle Gellar as Nicole DuBois (English dub)

Christopher Lloyd as The Professor (English dub)

Reception

The Illusionauts sold 214,679 theater tickets ($740,000), becoming the most successful Peruvian film of 2012.

Editorial summary

The public source identifies “The Illusionauts” as 2012 film. This brief keeps that definition visible, then builds a research path around Illusionauts and film.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—2012, 2010—that can be checked directly. The selected authority fields contribute no independent date. Its value is orientation rather than verdict, with Illusionauts and film providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “The Illusionauts”, the useful work is to connect “2012 film” to the records capable of establishing context and consequence.

Evidence profile

Object files, edition statements, performance records and contemporary criticism preserve different stages of the work’s history. The source revision retrieved here is dated May 3, 2026. The linked authority identifier is Q114267638. The first chronological checks are 2012 and 2010.

Critical limits

Later fame can flatten the distinction between original context, subsequent adaptation and institutional collecting history. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “The Illusionauts”, its source revision and the description used here.
  2. Expand the search: follow The Illusionauts primary sources, The Illusionauts archive and Illusionauts research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “The Illusionauts”?
  2. Which edition, object, performance or recording is being described?
  3. How did later circulation or interpretation alter the work’s reception?
Subject index

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Source & attribution

This entry incorporates text from The Illusionauts” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.