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Research dossier · Arts & Letters

III (Stanton Moore album)

album by Stanton Moore

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 22, 2026
Entity authorityQ5971286 ↗
Source-derived summary

III is Stanton Moore's third studio solo album released 2006. As each of Moore's solo albums have had unique character, III features keyboardist Robert Walter and guitarist Will Bernard for a 1970s-like soul funk with a "sense of authenticity" as "artists who live it."

It was recorded at Preservation Hall by Mike Napolitano with equipment borrowed from Ani DiFranco. It closes with songs chosen as a response to the aftermath of Hurricane Katrina.

Editorial summary

Begin with the source’s own compact description: “III (Stanton Moore album)” is album by Stanton Moore. The dossier treats that line as a proposition to test through Stanton, Moore and album, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—2006—that can be checked directly. The linked authority record independently contributes the date 2006. For this dossier, Stanton, Moore and album is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “album by Stanton Moore” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Aug 22, 2026. The linked authority identifier is Q5971286. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 2006.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “III (Stanton Moore album)”, its source revision and the description used here.
  2. Expand the search: follow III (Stanton Moore album) primary sources, III (Stanton Moore album) archive and Stanton research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “III (Stanton Moore album)”?
  2. Which edition, object, performance or recording is being described?
  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from “III (Stanton Moore album)” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.