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20 Comedy Hits

compilation album

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionMay 22, 2025
Entity authorityQ4630541
Source-derived summary

20 Comedy Hits is a collection of previously recorded songs by Ray Stevens, released in 1995. The first, third, fourth and fifth tracks were included through the courtesy of Barnaby Records, for whom Stevens recorded during the early seventies. The selection of "Shriner's Convention" is a live version that was taken from the album Ray Stevens Live! "Gitarzan" is the album version that begins with audience noises, and "Ahab the Arab" is a re-recording of his 1962 hit for his album Gitarzan (released in 1969). The remaining tracks are selections that were recorded for Curb Records; of these selections, only two were released as singles ("Super Cop" and "The Motel Song") and the rest served as album cuts. The sixth to ninth tracks were taken from the album Classic Ray Stevens, the tenth to thirteenth tracks from #1 With a Bullet, and the last seven from Lend Me Your Ears. Overall, it is not completely accurate to include the word "hits" in the title of this compilation, as it contains only seven songs that were previously released as singles and five of the seven made true impact on the charts.

Inside the album cover is an essay by Barry Alfonso that covers Stevens' life and career from his year of birth to the time of the release of this collection.

Track listing

Album credits

All tracks except "Gitarzan" were produced and arranged by: Ray Stevens

"Gitarzan" was produced and arranged by: Ray Stevens, Fred Foster and Jim Malloy

Art Direction and Design: Neuman, Walker + Assoc.

Illustration: Jill VonHartmann

Album Coordination: Sarita Martin

Compiled from liner notes.

Editorial summary

Begin with the source’s own compact description: “20 Comedy Hits” is compilation album. The dossier treats that line as a proposition to test through Comedy, Hits and compilation, not as a finished interpretation.

Editorial reviewBest approached as a cultural-object dossier: authorship and date matter, but circulation and reception often explain the wider significance. The current lead gives the account dated anchors—1995, 1962, 1969—that can be checked directly. The linked authority record independently contributes the date 1995-01-01. For this dossier, Comedy, Hits and compilation is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “compilation album” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated May 22, 2025. The linked authority identifier is Q4630541. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1995, 1962 and 1969.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

Best used for
  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
Verify next

The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “20 Comedy Hits”, its source revision and the description used here.
  2. Expand the search: follow 20 Comedy Hits primary sources, 20 Comedy Hits archive and Comedy research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “20 Comedy Hits”?
  2. Which edition, object, performance or recording is being described?
  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from 20 Comedy Hits” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.