1990–1993
album by Crossed Out
1990–1993 is the discography compilation consisting of the entire recorded output of American powerviolence band Crossed Out, which was released in 1999 through Slap-a-Ham Records on compact disc and vinyl formats. The compilation includes previously released EP material as well as rare demos and live recordings. A limited edition of white-colored LP copies were released through direct mail order.
Background
Crossed Out was formed in late 1990 by guitarist Scot Golia, drummer Tad Miller, bassist Rich Hart, and vocalist Dallas Van Kempen. The group issued a demo tape, a self-titled 7-inch, a split 7-inch with Man Is the Bastard, and a split 5-inch with Dropdead. The group also contributed two tracks to the Slap-a-Ham compilation 7-inch Son of Blleeaauurrggh, which also featured other prominent powerviolence and grindcore acts. The group would eventually break-up in 1993 after playing only 16 live shows total in the southern California area. The last five shows featured Eric Wood (from Man Is the Bastard) on the bass, for their original bassist Hart left the group by that point. One of these last few shows, which was recorded on August 21, 1993, at the Ché Café, is featured as the last four tracks on the 1990–1993 compilation.
This brief starts where responsible research should: with the source description of “1990–1993” as album by Crossed Out. Everything that follows is an evidence route, not borrowed authority.
Why this record matters
The subject matters to the arts & letters register because the source frames it as album by Crossed Out. Its deeper value depends on whether names, dates, institutions and citations support that framing.
Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated May 16, 2025. The linked authority identifier is Q27818003. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1990, 1993 and 1999.
Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.
How to read it
Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.
- Identifying works and editions
- Tracing reception history
- Finding collection records
The original object or edition, catalogue raisonné, performance record, rights file and holding institution.
Three-step research path
- Establish the record: confirm the title “1990–1993”, its source revision and the description used here.
- Expand the search: follow 1990–1993 primary sources, 1990–1993 archive and album research across catalogues and specialist indexes.
- Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.
Questions for further research
- Which source most directly establishes the central claim about “1990–1993”?
- Which edition, object, performance or recording is being described?
- Where is authorship, date or provenance documented?
Search terms from this dossier
This entry incorporates text from “1990–1993” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.