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1958 in film

overview of the events of 1958 in film

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionSep 24, 2026
Entity authorityQ829614 ↗
Source-derived summary

The year 1958 in film involved some significant events. Le Beau Serge is credited as the first feature film of the Nouvelle Vague, one of the most famous productions of the genre, also released this year, was Ascenseur pour l'échafaud, notable for its improvised soundtrack by Miles Davis. Releases in the United States included the hit musicals South Pacific and Gigi, the latter winning nine Academy Awards, including Best Picture and Best Director. In India, M. G. Ramachandran made his debut as a director with Nadodi Mannan.

Top-grossing films (U.S.)

The top ten 1958 released films by box office gross in North America are as follows:

Events

February 16 – In the Money, directed by William Beaudine, is released. It will be the last installment of The Bowery Boys series which began in 1946.

February 27 – Harry Cohn, the remaining founder of Columbia Pictures and one of the last remaining Hollywood movie moguls, dies.

April – Samuel J. Briskin leaves MGM and rejoins Columbia Pictures later becoming vice president and general manager of the studio.

April 4 – Killing of Johnny Stompanato: Actress Lana Turner's 14-year-old daughter Cheryl Crane fatally stabs her mother's abusive partner, mobster Johnny Stompanato, at their home in Beverly Hills, California, in what is ruled to be justifiable homicide.

April 22 – Sol C. Siegel becomes head of studio operations at MGM.

May 15 – Metro-Goldwyn-Mayer releases Gigi, one of the last classic MGM musicals.

Editorial summary

Begin with the source’s own compact description: “1958 in film” is overview of the events of 1958 in film. The dossier treats that line as a proposition to test through film, overview and events, not as a finished interpretation.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1958, 1946—that can be checked directly. The selected authority fields contribute no independent date. For this dossier, film, overview and events is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “overview of the events of 1958 in film” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Sep 24, 2026. The linked authority identifier is Q829614. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1958 and 1946.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
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The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “1958 in film”, its source revision and the description used here.
  2. Expand the search: follow 1958 in film primary sources, 1958 in film archive and film research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “1958 in film”?
  2. Which edition, object, performance or recording is being described?
  3. Where is authorship, date or provenance documented?
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Source & attribution

This entry incorporates text from “1958 in film” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.