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1898 in film

overview of the events of 1898 in film

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 6, 2026
Entity authorityQ913057 ↗
Source-derived summary

The following is an overview of the events of 1898 in film, including a list of films released and notable births. The Spanish–American War was a popular subject. Several films made by Col. William N. Selig dealt with the subject of war preparations at Camp Tanner in Springfield, Illinois, including Soldiers at Play, Wash Day in Camp and First Regiment Marching.

Events

May 19 – Vitagraph is founded in New York.

August 27 – Alfred John West gives a Royal Command Performance to Queen Victoria of film from the cruise of HMS Crescent at Osborne House.

Birt Acres invents the first amateur format, Birtac, by splitting 35 mm film into two halves of 17.5 mm.

Films released in 1898

The Accursed Cavern, directed by George Melies

The Astronomer's Dream, directed by Georges Méliès; re-released in 1899 as A Trip to the Moon

The Ball Game

The Cavalier's Dream, directed by Edwin S. Porter

The Cave of the Demons, directed by George Melies

Come Along, Do!, directed by Robert W. Paul. First multi-scene film in cinema [In this film 2 scenes are edited together for the first time in cinema]

Corbett and Sharkey Fight

The Corsican Brothers, produced by G.A.S. Films (British)

The Damnation of Faust, directed by George Melies

Dewar's It's Scotch, the first advertising movie, produced by the Edison Studios

Don Juan Tenorio, the first Mexican film with a plot, directed by Salvador Toscano

Eiffel Tower, directed by Louis Lumière. First (sort of) crane shot in cinema [It was taken from the ascending elevator in the Eiffel Tower]

Ella Lola, a la Trilby, produced by the Edison Co.

Editorial summary

Begin with the source’s own compact description: “1898 in film” is overview of the events of 1898 in film. The dossier treats that line as a proposition to test through film, overview and events, not as a finished interpretation.

Editorial reviewA useful identification and reception guide that helps separate the work itself from editions, performances, ownership and later interpretation. The current lead gives the account dated anchors—1898, 1899—that can be checked directly. The selected authority fields contribute no independent date. For this dossier, film, overview and events is the immediate research focus.
Editorial analysis

Why this record matters

The phrase “overview of the events of 1898 in film” supplies a clear boundary for inquiry. It also exposes the unanswered questions: who defined that boundary, when it became stable and which sources sit outside it.

Evidence profile

Attribution, date and provenance are strongest when supported by the original work, a catalogue record and documented transmission. The source revision retrieved here is dated Jun 6, 2026. The linked authority identifier is Q913057. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1898 and 1899.

Critical limits

Titles can refer to several editions, objects or performances, making precise identification essential before interpretation. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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  • Tracing reception history
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Three-step research path

  1. Establish the record: confirm the title “1898 in film”, its source revision and the description used here.
  2. Expand the search: follow 1898 in film primary sources, 1898 in film archive and film research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

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Source & attribution

This entry incorporates text from “1898 in film” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.