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1839 in music

overview of music-related events during the year of 1839

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 1, 2026
Entity authorityQ2810092 ↗
Source-derived summary

This article is about music-related events in 1839.

Events

March 21 – Felix Mendelssohn conducts the first known public performance of Franz Schubert's Symphony No. 9 in C Major ("The Great"; completed 1826), posthumously, in Leipzig.

November 17 – Giuseppe Verdi's first opera, Oberto, Conte di San Bonifacio, opens at La Scala, Milan.

Classical music

Hector Berlioz – Romeo et Juliette

Frédéric Chopin

Ballade No. 2

Scherzo No. 3

Piano Sonata No. 2

Mikhail Glinka

La séparation

Polonaise

Valse-Fantasie

Johann Nepomuk Hummel – 2 Preludes and Fugue for Organ (published posthumously)

Joseph Lanner – Amazonen-Galopp; Malapou Galop

Franz Liszt

Valse mélancolique, S.210

Angiolin dal biondo crin, S.269

Fantaisie sur des motifs favoris de l'opéra 'La sonnambula', S.393

Felix Mendelssohn

6 Gesänge, Op. 47

Piano Trio No. 1 in D Minor, Op.

Editorial summary

The public source identifies “1839 in music” as overview of music-related events during the year of 1839. This brief keeps that definition visible, then builds a research path around music, overview and music-related.

Editorial reviewA concise reference frame for defining the subject, testing terminology and identifying the institution closest to the evidence. The current lead gives the account dated anchors—1839, 1826—that can be checked directly. The selected authority fields contribute no independent date. Its value is orientation rather than verdict, with music, overview and music-related providing the first useful test.
Editorial analysis

Why this record matters

A short description can identify a subject without explaining its stakes. For “1839 in music”, the useful work is to connect “overview of music-related events during the year of 1839” to the records capable of establishing context and consequence.

Evidence profile

Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Aug 1, 2026. The linked authority identifier is Q2810092. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1839 and 1826.

Critical limits

Overview language is designed for orientation and should not be treated as a substitute for the evidence cited beneath it. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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  1. Establish the record: confirm the title “1839 in music”, its source revision and the description used here.
  2. Expand the search: follow 1839 in music primary sources, 1839 in music archive and music research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

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Source & attribution

This entry incorporates text from “1839 in music” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.