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1772 in music

music-related events during 1772

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 26, 2026
Entity authorityQ3300848 ↗
Source-derived summary

Events

January 1 – "At length the fleeting Year is o'er", a setting by William Boyce of an ode by William Whitehead, receives its first public performance, at St James's Palace in London, England.

January 2 – The funeral of Sigismund von Schrattenbach, Archbishop of Salzburg, is the occasion for the first performance of Michael Haydn's Missa pro defunctis Archespiscopo.

March 13 – Florian Leopold Gassmann replaces Georg Reutter II as Hofkapellmeister to the court of Emperor Joseph II in Vienna.

May 11 – A fire at the Theatre de la Monnaie in Brussels causes performances by Opéra flamand to be cancelled.

June 5 – Carl Ditters von Dittersdorf is ennobled by Empress Maria Theresa.

date unknown

Carl Stamitz is resident composer at Versailles.

Dr Charles Burney visits Johann Baptist Wanhal in Vienna.

Ignaz Pleyel becomes a pupil of Joseph Haydn.

Classical music

Johann Christian Bach – Symphonie Concertante in G C32

Luigi Boccherini

6 String Quintets, G.277-282 (Op.13)

6 String Trios, G.95-100 (Op.14)

6 String Quartets G. 177-182 (Op. 15)

6 Cello Sonatas

Christian Cannabich – Symphony No.

Editorial summary

This brief starts where responsible research should: with the source description of “1772 in music” as music-related events during 1772. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA concise reference frame for defining the subject, testing terminology and identifying the institution closest to the evidence. The current 179-word lead offers orientation but no explicit four-digit date, so chronology should not be assumed. The selected authority fields contribute no independent date. The account is most persuasive where music, music-related and events can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the general reference register because the source frames it as music-related events during 1772. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Vocabulary and entity names are the principal evidence signals here, because they determine the precision of every later search. The source revision retrieved here is dated Aug 26, 2026. The linked authority identifier is Q3300848. None of the 0 selected statements returned an explicit reference.

Critical limits

Overview language is designed for orientation and should not be treated as a substitute for the evidence cited beneath it. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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  2. Expand the search: follow 1772 in music primary sources, 1772 in music archive and music research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

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Source & attribution

This entry incorporates text from “1772 in music” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.