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1740 in music

music-related events during 1740

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionAug 1, 2026
Entity authorityQ3396265 ↗
Source-derived summary

Events

Johann Sebastian Bach begins to lose his sight.

Carl Heinrich Graun becomes Kapellmeister to Frederick II of Prussia. Johann Joachim Quantz becomes Frederick's flute teacher.

Ferdinando Bertoni arrives in Bologna where he becomes a pupil of Giovanni Battista Martini.

December 26 – The Teatro Regio (Turin) is inaugurated with a performance of Francesco Feo's opera Arsace.

Classical music

Thomas Arne – Alfred (masque), including the song, "Rule Britannia"

Carl Philipp Emanuel Bach

Concerto for 2 Harpsichords in F major, H.408

Harpsichord Concerto in A major, H.410

Flute Sonata in A minor, H.555

Christoph Graupner – Violin Sonata in G minor, GWV 711

George Frideric Handel – L'Allegro, il Penseroso ed il Moderato, HWV 55

Giuseppe Tartini – Violin Concerto in C major, D.1

Georg Philipp Telemann – 6 Overtures for Clavier, TWV 32:5–10 (Published ca. 1742 in Nuremberg, as VI Ouverturen nebst zween Folgesätzen)

Opera

Bernardo Aliprandi – Semiramide riconosciuta

Vincenzo Legrenzio Ciampi – La Beatrice

Baldassare Galuppi – Gustavo primo re di Svezia

Maurice Greene – The Judgement of Hercules

George Frideric Handel – Imeneo, HWV 41 (first performed, composed in 1738)

Nicola Porpora – Il trionfo di Camilla

Luca Antonio Predieri – Zenobia

Publications

Thomas Arne – Comus (London: William Smith). First performed 1738.

Jean-Baptiste Barrière – 6 Cello Sonatas, Livre 4 (Paris: Composer) (Likely composed 1737–1740)

Michel Blavet – 6 Flute Sonatas, Op. 3

Louis de Caix d'Hervelois – Pièces de viole, Livre 4

Esprit Philippe Chédeville – 6 Sonatilles galantes, Op.

Editorial summary

This brief starts where responsible research should: with the source description of “1740 in music” as music-related events during 1740. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA practical starting point whose main value is the path it opens into stronger specialist and primary sources. The current lead gives the account dated anchors—1742, 1738, 1737, 1740—that can be checked directly. The selected authority fields contribute no independent date. The account is most persuasive where music, music-related and events can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the general reference register because the source frames it as music-related events during 1740. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Aug 1, 2026. The linked authority identifier is Q3396265. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1742, 1738, 1737 and 1740.

Critical limits

A concise general-reference account can conceal disagreements about scope, terminology or the weight assigned to individual sources. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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Three-step research path

  1. Establish the record: confirm the title “1740 in music”, its source revision and the description used here.
  2. Expand the search: follow 1740 in music primary sources, 1740 in music archive and music research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

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Source & attribution

This entry incorporates text from “1740 in music” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.