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1562 in art

overview of the events of 1562 in art

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Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionDec 11, 2025
Entity authorityQ4550579 ↗
Source-derived summary

Events from the year 1562 in art.

Events

In Venice, sumptuary laws decree that all gondolas must be painted black to prevent lavish displays of wealth.

Giorgio Vasari, who had begun work on the Uffizi in Florence in 1560, founds the Academy of Design.

Paolo Veronese begins painting The Wedding at Cana (1562-1563).

The Medici court astronomer Fra Ignazio Danti paints maps at the Palazzo Vecchio.

Tintoretto begins the three paintings of the miracles of St. Mark (1562–66) for the Scuola di San Marco.

Flemish artist Hieronymus Cock and Spanish cartographer Diego Gutiérrez produce the map Americae Sive Quartae Orbis Partis Nova Et Exactissima Descriptio.

Paintings

Pieter Brueghel the Elder paints The Triumph of Death and Dull Gret, both strongly influenced by the style of Hieronymus Bosch.

Frans Floris paints The Sacrifice of Jesus Christ, Son of God, Gathering and Protecting Mankind (Allegory of the Trinity).

Editorial summary

This brief starts where responsible research should: with the source description of “1562 in art” as overview of the events of 1562 in art. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA concise reference frame for defining the subject, testing terminology and identifying the institution closest to the evidence. The current lead gives the account dated anchors—1562, 1560, 1563—that can be checked directly. The selected authority fields contribute no independent date. The account is most persuasive where overview and events can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the general reference register because the source frames it as overview of the events of 1562 in art. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Dec 11, 2025. The linked authority identifier is Q4550579. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1562, 1560 and 1563.

Critical limits

The absence of detail may reflect summary conventions rather than a lack of surviving documentation. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

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Source & attribution

This entry incorporates text from “1562 in art” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.