CACrown ArchivesThe cinema collection
Menu
Research dossier · General Reference

1560 in art

overview of the events of 1560 in art

Cross-disciplinary reference desk with index cards, atlas, dictionary and catalogue
General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJun 22, 2024
Entity authorityQ4550565 ↗
Source-derived summary

Events from the year 1560 in art.

Events

Giorgio Vasari begins work on the Uffizi in Florence for Cosimo I de' Medici as offices for the Florentine magistrates.

Works

Pieter Bruegel the Elder – Children's Games

Valerio Cioli - Fontana del Bacchino at the Boboli Gardens in Florence

Juan de Juanes – The Last Supper

Maso da San Friano – Visitation (altarpiece)

Antonis Mor – Portrait of the artist Jan van Scorel

Steven van der Meulen – Elizabeth Clinton

Karel van Mander – Prince Christian of Denmark

Births

June 25 – Juan Sánchez Cotán, Spanish painter (died 1626)

November 3 – Annibale Carracci, Italian painter (died 1609)

date unknown

Giovanni Balducci, also called Il Cosci, Italian mannerist painter (died 1600)

Bartolomeo Carducci, Italian painter (died 1608)

Wenceslas Cobergher, Flemish Renaissance architect, engineer, painter, antiquarian, numismatist and economist (died 1634)

Adriaen Collaert, Flemish engraver (died 1618)

Dominicus Custos, Flemish printer and copperplate engraver (died 1612)

Bartholomeus Dolendo, Dutch engraver (died unknown)

Giovanni Niccolo, Italian Jesuit painter (died 1626)

Diego Polo the Elder, Spanish painter (died 1600)

Claudio Ridolfi, Italian painter (died 1644)

Daniel Soreau, German still life painter (died 1619)

Antonio Viviani, Italian painter of frescoes (died 1620)

probable

Ludovico Buti, Italian painter active mostly in Florence (died 1611)

Baldassare d'Anna, Italian painter of the late-Renaissance period (died 1639)

Paolo Camillo Landriani, Italian painter (died 1618)

Arent Passer, stonemason and architect (died 1637)

Marietta Robusti, Venetian painter of the Renaissance period (died 1590)

Fabrizio Santafede, Italian late-Mannerist painter (died 1635)

Domenico Tintoretto, Venetian painter, son of Jacopo Tintoretto (died 1635)

1560/1561: Rafael Sadeler I, Flemish engraver of the Sadeler family (died 1628/1632)

Deaths

February 7 – Bartolommeo Bandinelli, Florentine sculptor (born 1493)

date unknown

Antonio Badile, Italian painter from Verona (born 1518)

Giovanni Battista Caporali, Italian painter (born c.1476)

Francesco Vecellio, Venetian painter of the early Renaissance (born 1485), best known as the elder brother of the painter Titian.

Editorial summary

This brief starts where responsible research should: with the source description of “1560 in art” as overview of the events of 1560 in art. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA practical starting point whose main value is the path it opens into stronger specialist and primary sources. The current lead gives the account dated anchors—1560, 1626, 1609, 1600—that can be checked directly. The selected authority fields contribute no independent date. The account is most persuasive where overview and events can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the general reference register because the source frames it as overview of the events of 1560 in art. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

The citation trail is more important than the brevity of the summary: it shows where individual claims can be examined in context. The source revision retrieved here is dated Jun 22, 2024. The linked authority identifier is Q4550565. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1560, 1626, 1609 and 1600.

Critical limits

A concise general-reference account can conceal disagreements about scope, terminology or the weight assigned to individual sources. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

Best used for
  • Subject orientation
  • Search vocabulary
  • Locating named sources
Verify next

The closest primary source, responsible institution and strongest cited specialist reference.

Three-step research path

  1. Establish the record: confirm the title “1560 in art”, its source revision and the description used here.
  2. Expand the search: follow 1560 in art primary sources, 1560 in art archive and overview research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “1560 in art”?
  2. Which cited source is closest to the event, object or claim?
  3. What terminology or title could unlock a more precise catalogue search?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “1560 in art” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.