CACrown ArchivesThe cinema collection
Menu
Research dossier · General Reference

1460s in art

overview of the events of the 1460s in art

Cross-disciplinary reference desk with index cards, atlas, dictionary and catalogue
General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionNov 22, 2025
Entity authorityQ4549801 ↗
Source-derived summary

The decade of the 1460s in art involved some significant events.

Events

1465

Andrea Mantegna begins work on the frescoes in the Camera degli Sposi of the Ducal Palace, Mantua.

Domenico di Michelino is commissioned to paint the fresco La commedia illumina Firenze in Florence Cathedral.

Filippo Lippi and his assistants finish work on the fresco cycle of the Stories of St. Stephen and St. John the Baptist in the Great Chapel (Cappella Maggiore) of Prato Cathedral.

c.1466: Piero della Francesca finishes work on the frescoes of The History of the True Cross in San Francesco, Arezzo.

Paintings

c.1450s–1466: Piero della Francesca – The History of the True Cross (San Francesco, Arezzo)

1455–1460: Francesco del Cossa – Polyhymnia (Gemäldegalerie, Berlin)

c.1455–1460: Giovanni Bellini

Presentation at the Temple (Pinacoteca Querini Stampalia, Venice)

Transfiguration of Christ (first version, Museo Correr, Venice)

c.1457–1460: Piero della Francesca – Madonna del Parto (Monterchi)

1459–1461: Benozzo Gozzoli – Journey of the Magi to Bethlehem frescoes in Magi Chapel, Palazzo Medici Riccardi, Florence

c.1459–1465: Giovanni Bellini – Agony in the Garden (National Gallery, London)

1459–1466: Andrea Mantegna – Portrait of Carlo de' Medici

1460s: Nuno Gonçalves (attributed) – Saint Vincent Panels (National Museum of Ancient Art, Lisbon)

c.1460s: Antonello da Messina – Salting Madonna

1460: Andrea Mantegna – St. Bernardino of Siena between Two Angels (Pinacoteca di Brera, Milan)

c.1460: Giovanni Bellini

Blessing Christ (Musée du Louvre, Paris)

The Blood of Christ (National Gallery, London)

Dead Christ in the Sepulchre (Museo Poldi Pezzoli, Milan)

Pietà (Dead Christ Supported by the Madonna and St. John) (Pinacoteca di Brera, Milan)

Dead Christ Supported by Two Angels (Museo Correr, Venice)

c.1460: Dieric Bouts

Head of St.

Editorial summary

“1460s in art” enters the record as overview of the events of the 1460s in art. Crown Archives preserves that source wording while asking what 1460s, overview and events can confirm, complicate or overturn.

Editorial reviewA concise reference frame for defining the subject, testing terminology and identifying the institution closest to the evidence. The current lead gives the account dated anchors—1465, 1466, 1455, 1460—that can be checked directly. The selected authority fields contribute no independent date. Its strongest next move is a source search built around 1460s, overview and events.
Editorial analysis

Why this record matters

“1460s in art” is worth following because a concise public description often conceals a longer documentary argument. Here, 1460s, overview and events provides the most credible route into that argument.

Evidence profile

Named sources, stable identifiers and responsible institutions provide the strongest route from overview to verifiable evidence. The source revision retrieved here is dated Nov 22, 2025. The linked authority identifier is Q4549801. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1465, 1466, 1455 and 1460.

Critical limits

A concise general-reference account can conceal disagreements about scope, terminology or the weight assigned to individual sources. The lead is largely declarative, so disagreement and counter-evidence require a deliberate search beyond the opening account. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Use the entry as an orientation point, then follow its citations and revision history. Names, dates and institutional relationships should be checked against the original record.

Best used for
  • Subject orientation
  • Search vocabulary
  • Locating named sources
Verify next

The closest primary source, responsible institution and strongest cited specialist reference.

Three-step research path

  1. Establish the record: confirm the title “1460s in art”, its source revision and the description used here.
  2. Expand the search: follow 1460s in art primary sources, 1460s in art archive and 1460s research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “1460s in art”?
  2. What terminology or title could unlock a more precise catalogue search?
  3. Which institution is responsible for the underlying evidence?
Subject index

Search terms from this dossier

Source & attribution

This entry incorporates text from “1460s in art” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.