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1450s in art

overview of the events of the 1450s in art

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General referenceInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionJul 31, 2026
Entity authorityQ4549766 ↗
Source-derived summary

The decade of the 1450s in art involved many significant events, especially in sculpture.

Events

1450: Jean Fouquet creates a self-portrait which is the earliest portrait miniature, and possibly the earliest formal self-portrait

1452: Filippo Lippi and his assistants begin work on the fresco cycle of the Stories of St. Stephen and St. John the Baptist in the Great Chapel (Cappella Maggiore) of Prato Cathedral

1453: Piero della Francesca begins work on the frescos of The History of the True Cross at the church of San Francesco, Arezzo

1454-1455: Printing of the Gutenberg Bible, the first major book printed with movable type in the western world, is completed by Johannes Gutenberg in Mainz

1459: Benozzo Gozzoli begins work on the Journey of the Magi to Bethlehem frescos in the Magi Chapel, Palazzo Medici Riccardi, Florence

Paintings

Giovanni Bellini

Crucifixion (c.1455) (Museo Correr, Venice)

Madonna with Child (after 1450) (Pavia)

Madonna with Child (c.1455) (Metropolitan Museum of Art, New York)

Pietà (Dead Christ Supported by the Madonna and St. John) (1455) (Accademia Carrara, Bergamo)

St. Jerome in the Desert (c.1455-1460) (Barber Institute of Fine Arts, Birmingham)

Transfiguration of Christ (first version, c.1454-1460) (Museo Correr, Venice)

Dieric Bouts

Deposition Altarpiece (Royal Chapel of Granada)

The Entombment (completed by c.1455) (National Gallery, London)

Petrus Christus

"Berlin Altar Wings" with Annunciation, Nativity, and Last Judgment (1452) (Gemäldegalerie, Berlin)

Virgin and Child Enthroned with St. Jerome and St. Francis (1457?) (Frankfurt)

Antonio da Fabriano – St. Jerome in his Study (1451)

Antonello da Messina

Crucifixion (two versions, c.1454-1455)

St. Jerome and Abraham panels (c.1455)

Andrea del Castagno

Assumption of the Virgin (c.1449-1450)

Equestrian Statue of Niccolò da Tolentino (fresco painting, 1456) (Florence Cathedral)

Piero della Francesca

Flagellation of Christ (probably 1455–1460)

Madonna del Parto (c.1457-1460)

Portrait of Sigismondo Pandolfo Malatesta (c.1451)

Stefano di Giovanni (Sassetta) – Mystic Marriage of St.

Editorial summary

The public source identifies “1450s in art” as overview of the events of the 1450s in art. This brief keeps that definition visible, then builds a research path around 1450s, overview and events.

Editorial reviewA concise reference frame for defining the subject, testing terminology and identifying the institution closest to the evidence. The current lead gives the account dated anchors—1450, 1452, 1453, 1454—that can be checked directly. The selected authority fields contribute no independent date. Its value is orientation rather than verdict, with 1450s, overview and events providing the first useful test.
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The citation trail is more important than the brevity of the summary: it shows where individual claims can be examined in context. The source revision retrieved here is dated Jul 31, 2026. The linked authority identifier is Q4549766. None of the 0 selected statements returned an explicit reference. The first chronological checks are 1450, 1452, 1453 and 1454.

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This entry incorporates text from “1450s in art” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.