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...And His Mother Called Him Bill

1968 studio album by Duke Ellington and his Orchestra

Manuscripts, fine bindings, an engraving plate and preserved performance ephemera
Arts and lettersInterpretive dossier study · Crown Archives visual atlas
Record originEnglish Wikipedia
Text licenseCC BY-SA 4.0
Source revisionFeb 7, 2026
Entity authorityQ426159 ↗
Source-derived summary

...And His Mother Called Him Bill is a studio album by Duke Ellington recorded in the wake of the death of his long-time collaborator, Billy Strayhorn, in 1967. It won the Grammy Award for Best Large Jazz Ensemble Album in 1968, Ellington's third consecutive victory in this category, following Ellington '66 and the Far East Suite.

Background

Ellington recorded the album as a tribute to Billy Strayhorn, who had died of esophageal cancer in May 1967. Strayhorn was a composer, arranger, and pianist and one of Ellington's closest friends. Ellington's biographer John Edward Hasse notes that Strayhorn's death "was more traumatic to the Ellington orchestra than that of anyone else in the history of the organization."

Recording and music

The album was recorded in August and November 1967. The material consists of Strayhorn's compositions, including some that had not previously been recorded. Ellington chose the songs to demonstrate Strayhorn's versatility and range, as well as to pay homage to the qualities that he most admired in his late writing partner.

"Blood Count" was Strayhorn's last composition, written for the Ellington Orchestra's 1967 concert at Carnegie Hall. Another piece with a medical-related title is "U.M.M.G.", short for "Upper Manhattan Medical Group". The 1951 composition "Rock Skippin' at the Blue Note" showcases Cootie Williams, Jimmy Hamilton, and John Sanders.

Editorial summary

This brief starts where responsible research should: with the source description of “...And His Mother Called Him Bill” as 1968 studio album by Duke Ellington and his Orchestra. Everything that follows is an evidence route, not borrowed authority.

Editorial reviewA productive route into publication, performance and collection histories when the underlying object or edition remains clearly identified. The current lead gives the account dated anchors—1967, 1968, 1951—that can be checked directly. The linked authority record independently contributes the date 1968. The account is most persuasive where Mother, Called and Bill can be independently traced.
Editorial analysis

Why this record matters

The subject matters to the arts & letters register because the source frames it as 1968 studio album by Duke Ellington and his Orchestra. Its deeper value depends on whether names, dates, institutions and citations support that framing.

Evidence profile

Reception evidence should be dated and situated: later canonical status may differ sharply from the work’s initial circulation. The source revision retrieved here is dated Feb 7, 2026. The linked authority identifier is Q426159. 1 of 1 selected statements include explicit references; 0 carry qualifiers and 0 use preferred rank. The first chronological checks are 1967, 1968 and 1951.

Critical limits

Rights, attribution and provenance may remain disputed even when a general reference summary presents a stable account. The source lead contains qualifying language; that uncertainty should survive quotation, summary and reuse. Authority statements aid reconciliation but still require their own references, qualifiers and ranks to be checked.

How to read it

Separate the work, its editions or performances, and its later reception. Catalogue records, publication histories and object files often preserve different parts of that story.

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  • Identifying works and editions
  • Tracing reception history
  • Finding collection records
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The original object or edition, catalogue raisonné, performance record, rights file and holding institution.

Three-step research path

  1. Establish the record: confirm the title “...And His Mother Called Him Bill”, its source revision and the description used here.
  2. Expand the search: follow ...And His Mother Called Him Bill primary sources, ...And His Mother Called Him Bill archive and Mother research across catalogues and specialist indexes.
  3. Test the account: compare the strongest cited source with the responsible institution’s current record and note any disagreement.

Questions for further research

  1. Which source most directly establishes the central claim about “...And His Mother Called Him Bill”?
  2. Where is authorship, date or provenance documented?
  3. Which edition, object, performance or recording is being described?
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Source & attribution

This entry incorporates text from “...And His Mother Called Him Bill” on English Wikipedia. Contributors are listed in the page history. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License. Selected authority identifiers and statements are retrieved from Wikidata under CC0; their references and qualifiers remain part of the verification path.